I am not entirely sure when exactly I started toying with the idea of creating a reading list for popular German fantasy fiction published in the late 1970s and 1980s, but I believe it coincided with the time when I was reunited with my copy of Hans Bemmann's 'Stein und Flöte' (english title: The Stone and the Flute) some six months ago.
Hans Bemmann - The Stone and the Flute (Stein ind Floete), Goldmann |
Shortly after its arrival, Stein ind Flöte (first published in 1983) was allocated a space on my bookshelves and ended up in the fantasy section, where it is currently leading a lonely existence as the only fantasy novel written by a German-speaking author. (My copy of Michael Ende's Neverending Story is currently back home in Germany.)
Perhaps unsurprisingly, the fantasy section of my shelf is populated by a diverse bunch of primarily British or American authors, who have traditionally dominated the genre. Other nationalities appear to be conspicuously absent. As a result, I got intrigued and decided to delve a little deeper into the matter in order to see whether I could locate works that fit the fantasy label and were published in Germany during the 1970s and 1980s. Ende and Bemmann aside, who else was at the time writing similar books in Germany? Who inspired authors like Ende and Bemmann; and who, in turn, was inspired by their work?
I am aware of the widely embraced distinction between Fantasy Fiction and Phantastik in German-speaking literary circles. In my view this separation constitutes an artificial barrier, which is perhaps necessary for an academic engagement with the matter. For the purposes of my investigation, however, I shall continue to refer to the genre as 'Fantasy' to avoid complicating matters unnecessarily. All those familiar with Ende's Die Unendliche Geschichte (Neverending Story), which was first published in 1979, will probably agree that the fantasy label fits the book rather well and I will thus use it as a descriptor going forward.
With this in mind, I started my search for books that would fit the description. To be added to the reading list, candidates had to fulfil two criteria: they had to be first published in Germany during the 1970s and 1980s and should be categorised as 'Fantasy'. Science fiction was to be strictly exempt from the list. Reading lists showcasing the German contribution to science fiction are easily obtainable as is evident by this Goodreads reading list, featuring all of the Kurd Lasswitz award winners to date:
At this point I was still blissfully unaware that I had set myself a rather ambitious task. Collating and locating reading lists on specific topics is normally never a real issue. Most of the time someone else has already done the hard work, completed the research and compiled a ready-made reading list. All that's usually necessary is to review and eventually source the books in question. Not on this occasion.
At this point I was still blissfully unaware that I had set myself a rather ambitious task. Collating and locating reading lists on specific topics is normally never a real issue. Most of the time someone else has already done the hard work, completed the research and compiled a ready-made reading list. All that's usually necessary is to review and eventually source the books in question. Not on this occasion.
Initial searches on the web yielded almost no results and didn't provide much further insight or suggestions on how best to tackle the question. Amongst the names that came up repeatedly were authors Wolfgang and Heike Hohlbein, who, particularly when considering their commercial success, have earned their place in any list on German fantasy fiction. Beyond that, there was a heap of suggestions, including contemporary German fantasy authors such as Bernhard Hennen or Cornelia Funke, whose works were published from the late 1990s onwards and therefore did not meet my selection criteria.
Gnook suggestions for Wolfgang Hohlbein |
Gnooks, which I love consulting for book recommendations (if you are not familiar you should pay the site a visit, as it can be an invaluable resource when looking for author suggestions) also didn't come up with viable options for my list.
By sheer chance, I came across Robert Corvus's discussion of Georg Zauner's 1981 science fiction novel Die Enkel der Raketenbauer, which led me to further investigate the author.
It turns out that Zauner is not only a Kurd-Laßwitz award winner (the most prestigious award for science fiction literature in Germany) and the father of Stefan Zauner (ex lead singer of epic pop formation Münchener Freiheit) but also wrote fantasy fiction. Zauner's Marana oder die Hochzeit der Elfe met all the selection criteria for my reading project and therefore made its way on to my list.
Whilst Zauner's Enkel der Raketenbauer appears to be somewhat of a rarity and currently commands a high(ish) price amongst collectors, a hardback copy of Marana oder die Hochzeit der Elfe (Benziger, 1984) can be purchased with relative ease and for a comparatively modest amount.
Georg Zauner, Marana oder die Hochzeit der Elfe (Verlag: Benziger, 1984) |
Whilst Zauner's Enkel der Raketenbauer appears to be somewhat of a rarity and currently commands a high(ish) price amongst collectors, a hardback copy of Marana oder die Hochzeit der Elfe (Benziger, 1984) can be purchased with relative ease and for a comparatively modest amount.
Robert Corvus discussing Georg Zauner's Die Enkel der Raketenbauer
Following this initial breakthrough, I was soon running out of suggestions again until, once more by sheer coincidence, I discovered an anthology of modern German Fantasy short stories, which I was able to source without problems.
Jörg Weigand (editor) Vergiss nicht den Wind - Neue deutsche Fantasy-Geschichten, Bastei Lübbe, 1983, Cover Art: Tim White |
Edited by Jörg Weigand and originally published by Bastei Lübbe in 1983, Vergiss nicht den Wind, features fantasy short stories by twelve German authors, including Wolfgang Hohlbein, Lothar Streblow, Dietrich Wachler, Bernhard Kreimeier, Iny Klocke, Ulrich Harbecke and Ulrich Weise. This selection of short stories aims to showcase, as stated by Weigand in the preface to my edition, that '[...] German fantasy literature can be equally as entertaining and fascinating as its Anglo-american counterpart [...]'.
We shall see.
If nothing else, as an anthology Vergiss nicht den Wind might offer a few possible starting points for further research. For now, I'm pleased that I was able to populate my preliminary reading list, albeit sparsely and with difficulty, and managed to get my reading project off the ground. Who would have thought that information on popular German fantasy fiction and genre authors of the period in question is so scarce and difficult to come by? Especially considering Ende's monumental publishing success with Die unendliche Geschichte, I would have expected a fair number of authors riding the fantasy wave at the time.
Suggestions for suitable reading material that fits the criteria for my selection are gratefully received.
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