Book Review - The Killing Doll by Ruth Rendell

The Killing Doll, first released in 1984, showcases Rendell's tremendous talent as a writer of psychological suspense, and being the first Rendell I ever picked up, it introduced me to her work some twenty years ago. It also turned me into what I would describe as a constant reader. Though years may pass without reading one of her novels, there is usually an unread Rendell on my shelves. As soon as I have completed it, another appears to fill the void. 

At the age of 85 Ruth Rendell very sadly passed away in May 2015. Yet, thanks to her prolific output spanning over fifty years and comprising of over sixty titles, I will not be running out of reading material for a while. Though I am not overly keen on her Inspector Wexford series, I am particularly fond of her stand-alone, psychological suspense novels and the books she chose to publish under her pseudonym Barbara Vine. 

Ruth Rendell (17 February 1930 – 2 May 2015)

Too eager to explore her plots and to meet more of her ill-fated characters, I have thus far never ventured into re-reading my Rendell / Vine books. As The Killing Doll was my first ever Rendell, which I read back then in its German translation Der Pakt (The Pact), I thought it was time to make an exception and get hold of the original, English version for a re-read. I was not to be disappointed.

Ruth Rendell - The Killing Doll, 1984, Book Club Associates Edition 

Judging by other readers' reviews, The Killing Dolll seems to divide opinions, both between seasoned fans and those new to Rendell's work. Whichever side of the fence you are on, the book appears to provoke strong emotions in both camps. Whilst some praise it for its tight plotting and unexpected twist at the end, others seem to criticise it for its alleged lack of pace, the absence of likeable characters and its subject matter; i.e. the protagonists' dabbling in the occult. 

The plot by and large centres around the Yearman family, comprising of siblings Dolly and Pup as well as their widowed father Harold. Coinciding with Mrs Yearman's demise, Pup begins to dabble in magic rituals, selling his soul to devil in exchange for worldly goods and, above all, physical growth. He enlists the help of his sister Dolly, an apt seamstress, who - owing to a facial disfigurement - has  very few social contacts and leads an isolated life mostly confined to and maintaining the family's home. 

Dolly sews Pup's ceremonial robe and is from time to time allowed to attend the so-called 'temple', which Pup has created in an unused room in the house, whilst their father - oblivious to the ceremonial magic practised under his roof - is completely absorbed by his obsession with historical fiction and, eventually, his new wife, Myra.

Following Mrs Yearman's death, Dolly's interest in occult matters is amplified when she attends a number of seances and gets further fuelled by her desire to employ magic in order to banish Myra from the family home. Yet, after discovering his business acumen and penchant for casual sex with a string of affairs, both Pub's emotional connection to his sister and involvement with the occult are waning, and he is increasingly viewing his preoccupation with magic as a childish pastime obsession. Though still fond of his sister, both his sexual proclivities and newly found role as a businessman leave little time to devote to his sister's emotional well-being.

Despite this, Pup continues to perform rituals to please his sister, thereby continuing to fuel her belief in his abilities. When in the aftermath of one such ceremony involving the ritual stabbing of Myra's effigy in the form of a cloth doll, Myra is discovered dead in the Yearman's bathroom, Dolly's belief in the efficacy of her brother's geomancy is reaffirmed, triggering a fateful spiral of events and further accelerating Dolly's descent into madness. 

To me, The Killing Doll delivers perhaps one of the best contemporary depictions of a protagonist's gradual descent into substance abuse and schizophrenia as well as the concomitant circumstances of isolation and dysfunctional family relations, which in the end enable the condition to take hold and completely engulf the individual.

I therefore firmly belong into the camp of those, who did not merely enjoy the novel but would also recommend it to all those wishing to explore Rendell's body of work further. After all, to maintain the reader's interest, characters do not have to be likeable. Quite the contrary. Childish preoccupations such as dabbling in occult writings and rituals as well as unexpected chance encounters (similar to the one at the end of the book) can have fateful consequences and are therefore utterly believable. As for the alleged lack of pace, I would argue that Rendell does not deviate from her usual norm and succinct style, telling a story spanning a timeframe of over five years in the space of less than 240 pages suggests that the book is not cluttered with unnecessary detail.

Book Review: Dark Harvest by Norman Partridge

It's 1963, it's Halloween and in a secluded backwater somewhere in the US teenage boys are being starved by their parents and locked away in their bedrooms, whilst waiting for the town's yearly hunting ritual to begin.

Somewhere in a cornfield outside town the October Boy, a pumpkin vine dressed as a scarecrow featuring a carved head and candy stuffing, awakes and returns to be hunted down by the community's teenage boys. Any number of perks and a chance for a fresh start await the winners of the race and their families. It's therefore no surprise that all the 'lucky' winners of previous hunts have escaped this small-town setting, never to be seen again by those they left behind.

Dark Harvest by Norman Patridge, TOR 2007, Cover Illustration by Jon Foster

Book Review: American Coven by Amy Cross

My first venture into the literary world of Amy Cross. It was a bizarre ride. 

Cross appears to be an author with a prolific digital output and a minimal, almost non-existent personal presence on the web. A large number of her many titles are currently available as free downloads on Amazon. That's exactly where I came across American Coven, which was suggested to me as a recommendation - most likely as a result of having purchased quite a few dark horror novels with supernatural elements in my time. American Coven fits that description rather well. 

American Coven - Amy Cross

Book Review : Anne McCaffrey - The Rowan (The Tower and the Hive, I)

I must admit I decided to read The Rowan for two reasons. Firstly, I had never read anything by McCaffrey and secondly, judging by the curious looking cat on the cover of my second-hand hardcopy, I figured that the story featured a feline character of sorts. 

Well, there is a feline in the book - a precious barque cat, to be precise. True to their independent nature, however, it abandons its owner - Altair's most gifted telepathic inhabitant, the Rowan aka Angharad Gwyn - halfway through the story. 

Anne McCaffrey - The Rowan, ACE / Putnam, C.P. Putnam's Sons, New York, 1990, Cover Art: Romas (Romas Brandt Kukalis)

Sadly, as soon as my main motivation for reading the novel was evicted from the story line, my interest in the rest of the book declined rapidly. In the end I decided to abandon it for a while and read something else instead. When I resumed reading this morning, I couldn't help wondering why this book ever got written, let alone published. To be fair, there are another five books in the Tower and Hive series and reading them might provide an answer. Yet, I simply was not drawn in enough, so it's unlikely I will pick any of the sequels any time soon.

The Rowan is the life story of McCaffrey's character of the same name, an orphaned and extremely gifted telepath from planet Altair. Growing up in one of Altair's remote mining communities, the Rowan loses her entire family in a mudslide and is rescued thanks to her ability to project her excruciating cries for help telepathically. 

As her wailing is picked up by the authorities, the child is saved and eventually taken care of by a foster mother. Being extraordinarily gifted, she receives training in all things telepathy and telekinesis from Altair's prime telepath, Siglen, under the watchful eye of  T-1 Earth Prime, Reidinger. The Rowan child is destined to become one of FT&T's T-1 primes, one day to be in charge of her very own tower on another planet.

Altair is a mining planet and vital supplier of raw materials destined for Earth. All cargo leaving and arriving on the planet is transported with the help of telepaths with telekinetic abilities, also known as the T-1 Primes. Human space travel underlies the same telekinetic principles. With the entire logistics of all planetary existence hinging on the exchange of raw materials between Earth and its colonised planets, the most gifted telepaths are crucial for the continued operation of this supply chain and thus assume a somewhat privileged position in society.

Part one of the series sketches the Rowan's life from the early tragedy of losing her parents to becoming herself a T-1 Prime, and eventually wife to Jeff Raven, and mother of their son, Jeran.  Oh yeah, and I forgot....! The Primes get to fight a telepathic space assault against an invasion of alien enemy beetles in defence of Deneb, Jeff's home planet. 

I'm not sure which target audience this book is aimed at. Perhaps, McCaffrey wrote it with a teenage audience in mind, given that most of the positive reviews I have found come from readers with book nostalgia, revisiting a favourite teenage read. The telepathic love story between the Rowan and Jeff may well appeal to a younger audience. 

Though the plot is well paced, I simply couldn't relate to the characters in the book. They all remained more or less remote to me. The technical aspects of the story, i.e. mainly telekinetic transportation and telepathic communication, didn't overwhelm. This is a bonus for all those who enjoy a less technical sic-fi novel. Yet, the concept of super-talented telepaths shunting space ships around with the mere power of their minds appears a trifle far-fetched. I didn't enjoy McCaffrey's writing style all too much in this one, but I haven't been put off completely. One day, I'm sure, I will give the Pern series a go. 

A Book for Readers Interested in the Lost City of Rungholt

'Die Letzten Tage von Rungholt' by Kari Köster-Lösche

In the coastal communities of Northern Frisia, an area now located in the state of Schleswig Holstein (Germany), everyone is familiar with the myths surrounding the lost settlement of Rungholt. According to local lore, the destruction of the once fabulously wealthy community was the divine punishment for its residents' self-indulgence and greed.

Marcellus Day in January 1362 marks the beginning of Rungholt's end. A devastating storm flood sweeps across the area, substantially altering the coastline and killing an estimated 100,000 across 30 distinct settlements. After three days the water finally recedes. Previously inhabited land is to this day buried under water and mud. Rungholt, a significant coastal settlement and regional trading hub before the flood, is believed to have been swallowed up by the Sea wholesale and has since become the subject of many a myth. Most of these legends connect the residents' moral conduct with the community's destruction and are undoubtedly the product of superstition. Yet, all folklore contains at least a grain of truth and the local legends surrounding the demise of Rungholt are no exception.

Kari Köster-Lösche, Die Letzten Tage von Rungholt, Publisher: Heyne, 1999

Researchers by and large agree that  Rungholt once existed: It is recorded on maps dating back to the mid-16th Century; and a number of official deeds from the same period also make mention of the location. Its population is believed to have numbered around 3000 residents. Whether their lifestyle was indeed as extravagant as legends claim, remains questionable. Battered by both the Plague and a decline in trade in the decade preceding the catastrophe, Rungholt had seen better days by the arrival of the 'Groote Manndränke' (engl: Grote Mandrenke).

Archeological evidence suggests that Rungholt's wealth was in large parts attributable to one commodity: Salt. Used widely to preserve food, salt from Rungholt's shores was traded as far afield as Flanders. Archaeologists believe that 'salt farming', i.e. the extraction of salt from the sea, developed into the mainstay of Rungholt's economy - with devastating consequences for its population. The large-scale extraction significantly contributed to the erosion of the area's coastline. By the time the flood eventually arrived, existing sea defences did not sufficiently protect the settlement and its residents.

Drawing on insights from archeological and historical research, Kari Köster-Lösche's fictional account of Rungholt's demise, Die Letzten Tage von Rungholt - (an English translation is not available, title freely translated: The Last Days of Rungholt), chronicles the months leading up to the catastrophic flood.

The character at the centre of Köster-Lösche's novel is Arfast Ketelsen, a free Frisian, who, by virtue of his profession as a salter, finds himself at the centre of a net of intrigue and greed involving a number of the community's key players, who are all banking on the ruthless expansion of the area's trade in salt to further their own agendas. When Arfast attempts to warn local dignitaries of the dangers of further intensifying the extraction at the expense of the community's safety, he attracts the wrath of local traders, the King's 'Staller' (King's Representative) and the clergy alike.

Avoiding to overload her readers with historical detail, Köster-Lösche manages to provide a scientifically backed, albeit hypothetical, glimpse into the dependencies of Rungholt's medieval society and the dynamics contributing to the unprecedented destruction of this coastal community. Arfast  adopts the role of the North Frisian Cassandra in his struggle against a well-connected posse of political and clerical decision-makers, who are all embroiled in an intricate web of corruption, greed and deceit. As can be expected, Arfast and his allies find themselves having to convince a complacent bunch of (mostly) ignorant residents, who are either unable to comprehend their concerns or do not dare to question the powers that be.

In an environment where unlawful executions, excommunication and witch trials are commonplace, readers accompany Arfast on a long and arduous journey to save as many lives as possible, avenge his father's murder and rescue his love interest from an arranged marriage. Köster-Lösche manages to squeeze a dense plot with a large cast of characters into a mere 429 pages. Whilst her story is crafted well in terms of pace, at times the characters' actions appeared a little forced. Nevertheless, for all those interested in the myths surrounding the rise and fall of Rungholt, the Atlantis of the North Sea, this might provide an interesting addition or an accessible starting point. 

Book Review: The Children's Hour by Marcia Willett

Before I begin, I should point out that I have read the 2007 German paperback edition of Willett's 'The Children's Hour', titled 'Das Spiel der Wellen'. The book turned up in my kitchen after it was cleared out by one of my neighbours. He left it with me, since I am the only German speaker in the neighbourhood.

Marcia Willett - The Children's Hour, 2007 German paperback edition titled 'Das Spiel der Wellen'

Review: Dark Satanic by Marion Zimmer Bradley

Originally published in 1972 Dark Satanic is the first book in Marion Zimmer Bradley's Occult Tales series and the prequel to The Inheritor. Throughout her life Bradley was an incredibly prolific writer and is, of course, better known for both the Darkover and Avalon series. Given the sheer quantity of Bradley's written output, it should come as no surprise that some of her books lack in the quality department.

Anyone familiar with her wider work will be aware, Bradley published a great number of books and short stories that can best be described as 'fragments' or literary experiments, in which she was trialling new plot lines, developing characters and experimenting with new themes. Rather than retaining these fragments in a drawer, Bradley was happy to see them published - in later years most often inside one of her short story collections and anthologies. Yet, at times her ventures into new territory were published as stand-alone books or republished and marketed as sequels and / or prequels to other novels.  Dark Satanic belongs into the latter category.

Dark Satanic, Marion Zimmer Bradley 

The story unfolds in Manhatten where James Melford, a publisher, and his wife Barbara share an apartment with James's ageing mother (Mother Melford) and her friend, Dana, who temporarily stays with the Melfords while house hunting. 

Shortly before his untimely death, one of James's authors, Jock Cannon, visits James in his office at Blackcock Publishing in order to deter James from publishing Jock's recently completed expose on New York City's satanic subculture. As a result of researching  satanist circles, Jock is now subjected to intimidation and harassment by as yet unidentified forces, wishing to prevent the information in his book from becoming public. 

When Jock suddenly dies of a heart attack, James, still determined to publish his book, decides to investigate further. He remains unconvinced by Jock's warnings until James himself starts receiving threatening calls and unexpected late-night deliveries. 

Meanwhile, Barbara, who not only has a rather strained relationship with her mother-in-law but is also deeply uncomfortable with Dana's presence in the apartment, experiences strange goings-on, too. At first, she doubts her own sanity, but as the story unfolds, she becomes increasingly suspicious of Mother Melford, her confidante and their behaviour towards her. 

Admittedly, in Dark Satanic Bradley is not giving us her best. Quite the opposite. The spelling mistakes in my copy alone indicate the absence of any serious editing and suggest a turbo turnaround from initial manuscript to publication. The characters remain flat and abstract and the story seems to plot along, giving the impression that Bradley, whilst writing, forgot where she wanted to take the story. 

Following the introduction of Claire Moffat's and Colin MacLaren's characters, which assume the roles of dei ex machinae, Bradley moves on to plant the seed of the sequel, thereby not so subtly preparing her readers for further literary ventures into the worlds of good and evil, the forces of black and white magic, religious ceremonies and satanic rites. This is somewhat reminiscient of The Fall of Atlantis, 

The Fall of Atlantis, Marion Zimmer Bradley, photo courtesy of Clarice Asquith

Atmospherically and thematically, the setting and subject matter of Dark Satanic evoke associations with Ira Levin's Rosemary's Baby, which was published in 1967. Rosemary's Baby became the best-selling horror novel of the 1960s and thanks to Polanski's adaptation of the book, which was released in 1968, it remained a trendsetter in the genre for years to come.

As a literary product, Dark Satanic can best be described as a gothic pulp, tapping superficially into Levin's market by ripping various elements off Rosemary's Baby. Considering the poor quality editing, I would not be surprised to find out that Bradley was under a very tight deadline when writing Dark Satanic and she made use of this to explore a rough idea for a new series. In later editions the book is marketed as the prequel to The Inheritor, which was published in 1984 and received overwhelmingly positive reviews. The success of The Inheritor undoubtedly boosted sales of Dark Satanic, resulting in its republication in 1988. 

All in all, Dark Satanic certainly deserves a place in any MZB fan collection, especially to satisfy the needs of the completist collector. All others are best advised to skip the book and read The Inheritor instead. 

Stephen King's Pet Sematary - Summary and Review

Pet Sematary was my first Stephen King novel. Though not a major disappointment, the book did not fulfil the expectations I had in mind when starting off. Since I finished it, I have not lost the feeling that King could have explored so much more.

The basic plot of the story can be summarised in a few sentences: Louis Creed and his wife Rachel move together with their two young children, Ellie and Gage, to Maine, where Dr Creed takes up a new job in the Univeristy’s medical centre. Soon after settling into their new home, Dr Creed becomes friends with Jud, his elderly neighbour, who has lived in the house opposite all his life. Jud takes the Creed family on an excursion to the Pet Sematary, a place where local children bury their dead pets. Most of the pets buried in the cemetery are victims of the heavy traffic on the road, which also happens to run past the Creed family home.

Stephen King's Pet Sematary Book Cover

A few months down the line, whilst Rachel and the children are spending Thanksgiving with Rachel’s parents in Chicago, the Creeds’ cat, Church, is run over by a lorry. Initially, Louis is at a loss and does not know how to break the news to his daughter. During the very same night, however, Jud comes up with a solution to Louis’s problem and takes him beyond the Pet Sematary to an ancient Micmac burial site, where Church is subsequently entombed. A few days later Church returns, but only his outer shell resembles the tomcat he once was.

Nevertheless, life goes on in the Creed family household, and even though the cat’s behaviour has altered significantly, the events of this fateful night remain Louis’s secret. Tragedy returns when Gage, the youngest child, is fatally injured on the same road. Unable to cope with his son’s death, Louis decides to bury Gage at the Micmac burial ground against Jud’s ominous warnings…

Contrary to the experiences of other readers, I found Pet Sematary a very emotional read. Rather than inducing feelings of suspense or fear, in my opinion, the novel conveys the moral message that, even if we had the power to awaken the dead, it is more fruitful (and safer) to come to terms with the death of a loved one. King was most convincing when talking about Louis’s feelings of guilt after his son’s tragic death.

Altogether I felt that the book was too long and contained too many, superfluous details. At the same time, following Gage’s return and his somewhat inexplicable killing spree, it felt that King was almost in a rush to bring the story to its conclusion. Whilst he fills pages talking about the return of the tomcat and his altered appearance, it is hard to form an impression of Gage after his return from the burial ground.

Frankly, I couldn’t quite understand why he would return and kill both Jud as well as his mother straight away. The story therefore effectively ended when it could have become most intrigiung. Rather than killing most of the characters off, I think it would have been quite interesting to witness Gage interact with the remaining members of his family.